@Zeronos
This had all been easy to set up. Surprisingly so, perhaps just too tempting. There was going to be a catch somewhere here, he could feel it, but he was taking advantage anyway. This person deserved hurting, and Milo wanted to be the one holding the knife. Everything perfect and gift wrapped.
He arrived late at night. It was dark, but his night vision never failed him. It was a cute place, really, and he was rather charmed. He stopped to smell the flowers on his way sneaking around the back. It must be nice, doing horrible, evil things, then getting to come back to such a safe and pleasant house. Must make it all extra comfortable, a satisfying way to live. Milo kneeled down to pick the back door's lock. He could fix some of that.
The inside was just as nicely decorated as the outside. Milo reached inside his coat, fingers reassuringly brushing up against sharp metal, and gently set down his duffle bag of other tools. They'd all come into play eventually, he was taking his time with this one, putting in effort.
Milo's glamour buzzed against his skin. It was subtle, not meant to change him into something else, it just made you think you were seeing more- while everything is actually a bit blurry and nondescript. He'd been using it for years, personally made by his (likely only real) friend, and it served him well. It was always more meant for security feeds and bystanders than victims. He left it on here, though, because he still had that 'there's a catch' feeling. There was no harm in attempted caution, even if it failed him or his instincts were imagining things.
The air tasted like sickness. Milo screwed up his nose a bit, looking forward to the blood, and crept further into the house. He kept to the shadows and corners like a rat, not rushing, curiosity and violent imagery in his mind.
Vincenzo Maria Fontana. The two of them were about to have a long, much needed conversation.
That, and Milo was going to kill him.
This had all been easy to set up. Surprisingly so, perhaps just too tempting. There was going to be a catch somewhere here, he could feel it, but he was taking advantage anyway. This person deserved hurting, and Milo wanted to be the one holding the knife. Everything perfect and gift wrapped.
He arrived late at night. It was dark, but his night vision never failed him. It was a cute place, really, and he was rather charmed. He stopped to smell the flowers on his way sneaking around the back. It must be nice, doing horrible, evil things, then getting to come back to such a safe and pleasant house. Must make it all extra comfortable, a satisfying way to live. Milo kneeled down to pick the back door's lock. He could fix some of that.
The inside was just as nicely decorated as the outside. Milo reached inside his coat, fingers reassuringly brushing up against sharp metal, and gently set down his duffle bag of other tools. They'd all come into play eventually, he was taking his time with this one, putting in effort.
Milo's glamour buzzed against his skin. It was subtle, not meant to change him into something else, it just made you think you were seeing more- while everything is actually a bit blurry and nondescript. He'd been using it for years, personally made by his (likely only real) friend, and it served him well. It was always more meant for security feeds and bystanders than victims. He left it on here, though, because he still had that 'there's a catch' feeling. There was no harm in attempted caution, even if it failed him or his instincts were imagining things.
The air tasted like sickness. Milo screwed up his nose a bit, looking forward to the blood, and crept further into the house. He kept to the shadows and corners like a rat, not rushing, curiosity and violent imagery in his mind.
Vincenzo Maria Fontana. The two of them were about to have a long, much needed conversation.
That, and Milo was going to kill him.